Alexandre.

His practice is built around a limited visual language that is returned to again and again until the image stops functioning as an object and starts operating as a system. Motifs are repeated, layered, and reworked not to explore difference, but to establish presence.

The work balances control and impulse. Surfaces appear immediate and physical, yet are governed by a strict internal logic. What reads as intuitive is the result of sustained commitment to a narrow set of forms, colors, and gestures.

Alexandre.’s practice is not driven by narrative or symbolism in the traditional sense. Meaning emerges through accumulation. Individual works are fragments. Together, they form a structure that prioritizes recognition, rhythm, and insistence over explanation.